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02/04/2009 |
Iziko South African
National Gallery to exhibit DIS-EASE: a new generation of video
art from the Rijksakademie archives
The
Iziko South African National Gallery is proud to host DIS-EASE:
a new generation of video art from the Rijksakademie archives.
Taking place from 6 April until 28 June 2009, the video compilation
screening reflects on the power of the medium, both in terms of
content and articulation, as explored by some twenty-seven artists
of seventeen different nationalities.
While representing countries
ranging from Brazil to Taiwan, the artists that make up the show
produced these works, for the most part, during residencies at the
Rijksakademie in the Netherlands. The works carry explicit cultural
overtones and idiosyncratic nuances that suggest the artists
origins, but what begins to reveal itself is how what we have come
to know as globalisation has permeated the very fabric of this
so-called village. Collected together under the title dis-ease,
the videos on this exhibition manifest a sense of unease and
disquiet.
The participating artists in this compilation are as follows:
Ahmet Φgόt Turkey Chiara Pirito Italy Cristina Lucas Spain
Erik Olofsen Netherlands Fernando Sαnchez Cαstillo- Spain
Francessca Grilli Italy Im Go Eun - South Korea Greg Streak -
South Africa / Netherlands Guido van der Werve Netherlands
Jakup Ferri Kosova Kuang Yu Tsui Taiwan Marco Pando Peru
Marianne Flotron Switzerland Maze de Boer Netherlands Meiro
Koizumi Japan Meiya Lin China Michael Blum Europe
Mounira Al Solh Lebanon Nicoline van Harskamp Netherlands
Owen Oppenheimer - United Kingdom Paulien Oltheten Netherlands
Persijn Broersen /Margit Lukαcs Netherlands Sascha Pohle
Germany Sefer Memisoglu Turkey Siree van der Velde
Netherlands Sookoon Ang Singapore Zachary Formwalt - US
Kuang-Yu Tsui from Taiwan is the feature artist on the exhibition. A
separate screening of seven of his video works takes us on a
personal journey of the artist as he engages with his environment.
In Eighteen Copper Guardians in Shao-Lin Temple and
Penetration: The Perceptive, the artist has various objects
thrown at the back of his head by someone out of screen. Each time
an object strikes his head he tries to guess what it is. The work is
both amusing and nihilistic. Kuang-Yus work is a testament to the
parasitic nature of globalisation the manner in which it displaces
and attempts to simulate in order to control.
DIS-EASE was curated by Durban-based artist and curator, Greg
Streak, while on a visit to Amsterdam in early 2008. Streak,
representing the artist run initiative PULSE, partnered with the
Rijksakademie and Bank Gallery, Durban, to produce the show.
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