RECOMMENDED READING LIST

• Alexander, J., ‘Aspects of violence and disquietude in late 20th century three dimensional human figuration’ (MA dissertation, unpublished), Johannesburg: University of the Witwatersrand, 1988.
• Andries Botha: Standard Bank Young Artist Award 1991, Standard Bank, 1991
• Arnold, M., Women and art in South Africa, Cape Town: David Philip,1996.
• Art from South Africa c.1917–c.1980. (catalogue), London: Grosvenor Gallery, 1995.
• Becker, R., ‘Mud Cathexis: interview with Nina Romm’, de arte, No. 26, April 1982, pp. 32–49.
• Becker, R., ‘Edited interview with Neels Coetzee’, de arte, No. 21, April 1977, pp. 38–40.
• Bedford, E., ‘Contesting stereotypes of femininity in South Africa’ (Honours dissertation, unpublished), Pretoria: University of South Africa, 1992.
• Bell, P. (ed.), An end to waiting: the story of South Africa’s elections 26 April to 6 May 1994, Johannesburg: Independent Electoral Commission, 1995. [Weinberg, Paul]
• Biesele, M. and Weinberg, P., Shaken roots, Marshalltown: Eda, 1990.
• Bjork, C., Danielsson, K. and Serenander, B. (eds.), Art / Images in Southern Africa, Stockholm: Trema Reprosatteri, 1989.
• Boekkooi, P., ‘Tussen die duiwel en die diep blou see’, Die Suid-Afrikaan, No. 54, September/October 1995, pp. 44–46. [Kentridge, William]
• Botha, L., ‘Pastiche: photo constructions’, Ada, No. 13, pp. 44–49.
• Botha, L., ‘Foto-galery’, Die Suid-Afrikaan, No. 49, July/August 1994, pp. 29–36.
• Bristowe, A., ‘Hot air de Paris’, Art Ventilator, No. 1, September 1994, pp. 51–52.
• Brown, C., ‘Andries Botha’, Ada, No. 12, 1994, pp. 30–31.
• Bunn, D. and Taylor, J. (eds.), From South Africa: new writing, photographs, and art, Chicago: University of Chicago Press, 1988.
• Burnett, R., Jekiseni Hlungwani Sagani, Johannesburg: BMW, 1989.
• Coetzee, A. and Skawran, K., Willem Strydom, Johannesburg: Everard Read Gallery, 1991.
• Comerford, J., ‘Hardground printmakers’, South African Arts Calendar, Vol. 17 No. 2, 1992, pp.10–11.
• Davidtsz, B., ‘In conversation with William Kentridge’, Gallery, Spring 1987, pp. 12–14.
• De Jong, C., ‘Drie kunswerke met vermoedelik apokaliptiese strekking’, Bulletin of the Pretoria Art Museum, Vol. 27 No. 1, May 1993, pp. 26–31. [Maritz, Nicolaas; Hodnett, Noel]
• De Villiers, S., S. A. flambé and other recipes for disaster, Cape Town: David Philip, 1989. [Bauer, Derek]
• Deliss, C., Seven stories about modern art in Africa, Paris: Flammarion, 1995.
• Dikeni, S., ‘The poet and the penny whistle in the painter: portrait of a Cape Flats artist’, Die Suid-Afrikaan, No. 54, September/October 1995, pp. 42–43. [Appollis, Tyrone]
• Doeg, J., ‘Out of nature’, National Ceramics, No. 16, June 1991, pp. 4–5. [Ngako, Henriette]
• Doepel, R., Karel Nel; transforming symbols, Johannesburg: Central Printing Unit, University of the Witwatersrand, 1993.
• Doepel, R., ‘Neels Coetzee’s “Avcilar series”: an iconographical analysis’, South African Journal of Art and Architectural History, Vol. 1 No. 2, May 1990, pp. 39–52.
• ‘Driven to abstraction’, Show Case, November 1994, pp. 52–55.
• Dubow, N., Sequences series sites (catalogue), Standard Bank, 1992.
• Edoardo Villa sculpture, United Book Distributors, 1980.
• Erasmus, G., ‘The emergency series’, Staffrider, Vol. 10 No. 3, 1992, pp. 46–51.
• Ferreira, A. M., ‘An investigation into a relationship between personal sculptural statement and objects of popular material culture’ (MA dissertation, unpublished), Cape Town: University of Cape Town, 1983.
• Geers, K., Argot, Rivonia: Chalkham Hill Press, 1995.
• Givon, L., Johannes Mashego Segogela: devils angels and things (catalogue), Sandton: Goodman Gallery, 1995.
• Godby, M., ‘The landscape of slaughter: Bisho and transition’, The Art Ventilator, No. 1, September 1994, pp. 29–33.
• Godby, M., Hogarth in Johannesburg, Johannesburg: University of the Witwatersrand, 1990.
• Godby, M., and Klopper, S., ‘The art of Willie Bester’, African Arts, Vol, xxix No. 1, Winter 1996, pp. 42–49.
• Godby, M., and Klopper, S., ‘Profile: Willie Bester: recent work’, de arte, No. 50, November 1994, pp. 29–35.
• Goodman in Grahamstown (catalogue), Standard Bank, 1994.
• Grendon, P. and Weaver, T., ‘Trespass’, Leadership, Vol. 7 No. 5, 1988, pp. 80–95.
• Grobler, S., ‘Norman Catherine’, Artlook, No. 36, November 1969, p. 21.
• Harmsen, F., Cecil Skotnes, Cape Town, 1996.
• Hartzenberg, R., ‘Domestic baggage: painting as a response to a perceived sense of dislocation in the South African social fabric’ (MA dissertation, unpublished), Cape Town: University of Cape Town, 1994.
• Helen Mmakgoba Mmapula Sebidi: Standard Bank Young Artist Award 1989, Standard Bank, 1989.
• Herber, A., Conservation: some people, some place, some time: South Africa, Johannesburg: Bateleur Press, 1979.
• Hobbs, P., ‘Philippa Hobbs: demise of an empire’, Ada, No. 7, pp. 14–15.
• Horning, G., ‘Portrait of the artist: Trevor Makhoba’, House and Leisure, No. 34, July 1996, pp. 52–54.
• Hudson, I., ‘Picking up the threads’, Leadership, Vol. 9 No. 5, 1990, pp. 53–56.
• Hudson, I., ‘Open and shut case’, Leadership, Vol. 7 No. 4, 1988, pp. 70–76.
• Jane Alexander: Sculpture and photomontage: Standard Bank Young Artist Award 1995, Standard Bank, 1995.
• Jansen van Vuuren, L., ‘Mandla and the colours’, South African Arts Calendar, Vol. 17 No. 2, 1992, pp. 20–21.
• Jouannais, J., Un art contemporain d’Afrique du Sud, Editions Plume, 1994.
• Karon, T., and Mendel, G., ‘African’, Millenium, October 1995, pp. 104–118.
• Katz, D., ‘A man of two worlds: Ezrom Legae’, Lantern, Vol. 24 No. 1, September 1974, pp. 54–63.
• Katz, D., ‘Norman Catherine’, Artlook, No. 91, August/September 1974, pp. 22–24.
• Kenton, D., ‘Landscape painting and the search for an indigenous ethos in South Africa’ (MA dissertation, unpublished), Pietermaritzburg: University of Natal, 1989.
• Kerr, A., ‘Wilma Cruise in progress’, National Ceramics Quarterly, No. 5, October 1988, pp. 19–21.
• Kerr, G., ‘Wilma Cruise: tying up threads’, Ceramix, No. 2, October 1987, pp. 12–13.
• Klopper, A., ‘Die beeld in ruimte: aspekte van ruimte as struktuur­element in die beeldhoukuns: met spesiefieke verwysing na die werk van Edoardo Villa en Neels Coetzee’ (MA dissertation, unpublished), Pietermaritzburg: University of Natal, 1984.
• Koloane, D., ‘The identity question: focus on black South African expression’, Third Text, No. 23, Summer 1993, pp. 99–102.
• Korber, R., ‘ High density visual sensuality’, Gallery, Spring 1983, pp. 29–30. [Payne, Malcolm]
• Korber, R., ‘Kramer’s world’, Leadership, Vol. 10 No. 4, August/September 1991, pp. 35–39.
• Korber, R., ‘Louis Jansen van Vuuren: painting the blues’, South African Arts Calendar, Vol. 17 No. 1, 1992, pp. 24–25.
• Korber, R., ‘Myths and archetypes: the creative world of Bruce Arnott’, Gallery, Autumn 1982, pp. 44–45.
• Krams, I. I., ‘Utility and environment: a consideration’ (MA dissertation, unpublished), Johannesburg: University of the Witwatersrand, 1991.
• Kuns uit die Kaap ( Art from the Cape), Johannesburg: Rand Afrikaans University, [1985].
• Lategan, H., ‘Villa Sweetie Darling’, House and Leisure, No. 24, September 1995, pp. 56–63. [Maritz, Nicolaas]
• Louw, D., ‘Noel Hodnett: finding the unkown’, Lantern, Vol. 44 No. 2, Winter 1995, pp. 24–29.
• Martin, M., ‘The rainbow nation - identity and transformation’, Oxford Art Journal, Vol. 19 No. 1, 1996, pp. 3–15.
• Martin, M., ‘Neville Dubow: sequences series sites’, South African Arts Calendar, Vol. 17 No. 3, 1992, pp. 10–11.
• Martin, M., ‘Andries Botha: a sculptor poised in history’, South African Arts Calendar, Vol.16 No. 3, 1991, pp. 20–23.
• Martin, M., ‘Is there a place for black abstract painters in South Africa?’, de arte, No. 44, 1991, pp. 25–39.
• Meintjes, R., ‘Khiki hostels’, Full Frame, Vol. 1 No. 1, June 1990, pp. 10–11.
• Mendel, G., ‘Encounter’, Leadership, Vol. 8 No. 6, August 1989, pp. 89–95.
• Mendel, G., ‘Promised land’, Leadership, Vol. 8 No. 2, April 1989, pp. 32–47.
• Mendel, G., ‘The SASH’, Leadership, Vol. 6 No. 5, 1987, pp. 82–90.
• Mofokeng, S. and Weinberg, P., ‘Going home’, Leadership, Vol. 9 No. 2, 1990, pp. 100–110.
• Mofokeng, S. and Weinberg, P., ‘Going home: the views of Paul Weinberg and Santu Mofokeng’, Staffrider, Vol. 8 No. 2, 1989, pp. 54–65.
• Muller Ballot, G., ‘Badenhorst lewer `n positiewe kommentaar’, South African Arts Calendar, Vol. 13 No. 2, December 1988, p. 12.
• Nagelgast, E. B., ‘Durant Sihlali originals in the Africana Museum’, Africana Notes and News, Vol. 30 No. 4, December 1992, pp. 140–144.
• Neil Goedhals 1957-1990 (catalogue), Johannesburg: Gertrude Posel Gallery, 1993.
• Nowosenetz, N., ‘Dietrich, still lifes and rocks’, South African Arts Calendar, Vol. 17 No. 2, 1992, pp. 13–15.
• Offringa, D... [et al.], Gunther van der Reis., Pretoria: Pretoria Art Museum, 1994.
• Oliphant, A. W., ‘The art of Lallitha Jawahirilal’, Staffrider, Vol. 8 No. 2, 1989, pp. 48–53.
• Otro pais escalas Africain ( Another country African stops over, Un autre pays escales africaines), Las Palmas: Centro Atlantico de Arte Moderno, 1994.
• Payne, M. (ed.), Face Value: old heads in modern masks, a visual, archaeological and historical reading of the Lydenburg Heads, Cape Town: Axeage Press, 1993.
• Percy Ndithembile Konqobe (catalogue), Sandton: Goodman Gallery, [1992].
• Pippa Skotnes: in the wake of the white wagons: Standard Bank Young Artist Award 1993, Standard Bank, 1993.
• Powell, I., ‘At the scene of the crime: an interview with Robert Hodgins’, Art Ventilator, No. 1, September 1994, pp. 45–47.
• Powell, I., ‘Further adventures of Orosman: notes on recent works by Brett Murray’, Art Ventilator, No. 1. September 1994, pp. 57–59.
• Powell, I., ‘Heroic regressions’, Art Ventilator, No. 1, September 1994, pp. 60–61.
• Powell, I., ‘One of my own fragments: an interview with Robert Hodgins’, de arte, No. 31, September 1984. pp. 36–45.
• Proud, H., Patricia Pierce-Atkinson: a commemorative exhibition: selected works 1972-1993, Cape Town: Michaelis School of Fine Art, 1994.
• Rankin, E., The baby and the bathwater: motif, medium and meaning in the work of Penelope Siopis, Imprimatic Printer, [1992].
• Rankin, E., ‘Crossing the threshold: the design process in a new work by Neels Coetzee’, de arte, No. 40, September 1989, pp. 62–66.
• Restany, P., Francine Scialom Greenblatt: la peinture au feminin l’union du physique et du mental, Monte Carlo: André Seurat, 1989.
• The right to hope: global problems, global visions, London: Earthscan Publications Ltd., 1995.
• The right to hope: five South African artists, Johannesburg: Arts Alive Festival, 1995.
• Rosengarten, R., Don’t mess with Mister In-between: 15 artistas da Africa do Sul, Lisboa: Caixa Geral de Depositas, 1996.
• Ross, D. H. , ‘Masaego Johannes Segogela’, African Arts, Vol. xxviii No. 1, Winter 1995, pp. 74–80.
• Ross, W., ‘Earth sand structure process order’, de arte, No. 27, September 1982, pp. 28–33.
• Sam Nhlengethwa: Standard Bank Young Artist Award 1994, Standard Bank, 1994.
• Sampson, L., ‘In a glaze’, House and Leisure, No. 7, April 1994, pp. 86-93. [Nel, Hylton]
• ‘Santu Mofokeng, Ingrid Hudson, Jenny Gordon’, Journal des Galeries photo, No 34, fevrier–mars, 1995.
• Sarrazin, M. (ed.), Durant Sihlali: mural retrospective (Durant Sihlali: les murales 1960–1994), (catalogue), Johannesburg: Alliance Francaise de Soweto, 1994.
• A selection from Stanley Pinker’s work to date (catalogue), Cape Town: South African National Gallery, 1983.
• Sherman, J. ed., Three sculptors three readers (catalogue), Johannesburg: University of the Witwatersrand, 1995.
• Sihlali, D., Durant Sihlali: discovering my true identity, Braamfontein: Skotaville, 1989.
• Solomon, G., Williamson, S. and Wilson, L., Art and the media (catalogue), Johannesburg: Gertrude Posel Gallery, 1991.
• Stuart, L., ‘Zwelethu Mthethwa’, Ada, No. 13, pp. 14–17.
• Through a lens darkly (catalogue), Cape Town: South African National Gallery, 1993.
• Tillim, G., ‘Kaapse Moslems: `n eiesoortige gemeenskap’, Die Suid-Afrikaan, No. 48, March/April 1994, pp. 29–36.
• Tommy Motswai: Standard Bank Young Artist Award 1992, Standard Bank, 1992.
• Ubuntu: der Mensch wird Mensch durch andere Menschen, Konrad-Adenauer-Stiftung, 1994.
• Van den Berg, C., Excavations: Clive van den Berg, Waylite Press, [1993].
• Van der Merwe, F., ‘Willie Bester gesels’, The Cape Librarian, Vol. 40 No. 7, August 1996, pp. 34–36.
• Van der Walt, C., ‘Clementina van der Walt’, National Ceramics, No. 27, March 1994, p. 8.
• Van Niekerk, R., Louis van Heerden (catalogue) , Sandton: Goodman Gallery, [1992].
• Van Rensburg, S. J., ‘Sydney Kumalo en ander bantoe kunstenaars van Transvaal’ (MA dissertation, unpublished), Pretoria: Pretoria University, 1970.
• Vergunst, N., ‘Nineteen boys running’, South African Arts Calendar, Vol. 17 No. 1, 1992, pp. 5–7. [Brand, Kevin]
• Von Maltitz, E. A. , ‘Development of form and meaning in the sculpture of Edoardo Villa’ (MA dissertation), Johannesburg: Rand Afrikaans University, 1982.
• Vulamehlo (Open Eye), (catalogue), Durban: Durban Art Gallery, 1990.
• Weaver, T., ‘Witbooi’s Gibeon: photographs by Eric Miller’, Leadership, Vol. 6 No. 6, 1987, pp. 79–83.
• Weinberg, P., ‘The gods must be blind’, Leadership, Vol. 13 No. 5, 1994, pp. 62–75.
• Weinberg, P., ‘Beyond the barricades’, Full Frame, Vol. 1 No. 1, June 1990, pp. 2–9.
• Willem Boshoff: Blind Alphabet C: Cocculiferous to Cymbiform: 23rd São Paolo Biennial (catalogue), Cape Town: Logoprint Printers, 1996.
• William Kentridge: Standard Bank Young Artist Award 1987, Standard Bank, 1987
• Williamson, S., Resistance art in South Africa, Cape Town: David Philip, 1989.
• Williamson, S., and Jamal, A., Art in South Africa: the future present, Cape Town: David Philip, 1996.
• Younge, G., Art of the South African townships, London: Thames and Hudson, 1988.
• Zille, H., ‘The crossroads’, Leadership, Vol. 6 No. 5, 1987, pp. 79–80. [Williamson, Sue]

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